![]() ![]() ![]() Juneteenth SF Freedom Celebration in the Fillmore called A Song of Triumph II: The Diaspora of Black Music with the Curtis Family C-Notes and members of the Community Music Center Black Music Program Faculty. ![]() One of the special events is from 3-4 p.m. MoAD will honor Juneteenth with free exhibitions and programming for the whole family. Juneteenth SF Freedom Celebration in the Fillmore. San Francisco public officials will kick off a full weekend of activities welcoming performers and speakers from 12 noon to 1 at City Hall. ‘ Juneteenth Pop-Up on the Waterfront,’ at 1 Ferry Building, celebrates Black chefs and Black-owned small businesses, among them, Mo’Raysha’s oxtails, mac & cheese and more as well as Brutha’s Honey. For additional information on the Juneteenth Parade, please visit. The parade route runs from San Francisco’s Civic Center down Market Street to the Embarcadero Ferry Terminal Plaza where it will join ‘Juneteenth on the Waterfront.’ 11 a.m. San Francisco Inaugural Juneteenth Parade The Curtis Family C-Notes will perform at 3 at MoAD in San Francisco on June 17. Again, Richmond City Council will make its decision on the project on June 20. The final step is for the City Council to approve the art commission for a permanent sculpture at JFK Park, as well as the $100,000 contract with Conway and Takata-Vasquez-an action recommended by both the RACC and the RPC. Then the Plaza Neighborhood Council, which advises on issues related to that park, also ok’d Conway and Takata-Vasquez’ art concept design proposal. An Art Selection Panel rated the applications and ultimately selected Conway and Takata-Vasquez to receive the $100,000 lump-sum commission contract, according to the City documents.Įventually, the RACC met with the Public Works Department, and it gave the thumbs up to use JFK Park as the location for the artwork. The Commission met with the Richmond Neighborhood Coordinating Council (RNCC) and discussed parks in several city communities where the sculpture would be well received.Īfter soliciting prequalified artists from the Bay Area, the RACC received applications from seven artists. The RACC and the Public Art Advisory Committee (PAAC)-together known as the “Commission”-green lighted $100,000 in Public Art Funds last July for the sculpture. The public art commission project would commence at the park July 1 and continue through Dec. Harpist Destiny Muhammad and violinist Tarika Lewis played duets shifting the focus and spotlight away from the walls. The art, the people and the music together made for a beautiful experience. From the minute of opening, people mingled while still taking the time and space to appreciate the art. “I just felt so deeply honored and humbled, and I have a lot of family photos in the altar that I created, and I just loved seeing people go up and see my family and hopefully see some of their own family in my family.” She intentionally puts artists of different experience levels in the exhibit to show the historical legacy of Black women artists. She says she hopes that she can transform the meaning of space for Black women by creating one that belongs to them. ![]() “There was a sense of camaraderie between the musicians and the artists and even the people walking through.” Zoe Jung talked about the strong sense of community he felt as an attendee. This doesn’t mean that there wasn’t a good turnout though, as the room filled up within an hour after opening. was smaller than in previous years - this is the event’s second year since the pandemic - which made the environment cozy and welcoming, like a family atmosphere. Black women have contributed so much to society, yet they are often not celebrated openly, which is why events like this, seeing them as art and artists, celebrating their beauty, grace, and influence, is so important. ![]()
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